Brian Fay

Oonagh Young Gallery, Dublin

Cimabue Crucifixion before and after
Baldini's Restoration
Pencil on Paper 2018

Infrared and reverse drawing views from Erased de Kooning
Pencil on Paper, 2018
64.14 cm (h) x 55.25 cm (w)

Pencil on paper, 2018

Pencil on Paper (Detail) 2018

Pencil on Paper (Detail) 2018

Installation view To Something that went before (CSdeK)
Oonagh Young Gallery, Dublin, 2018

To Something that went before (CSdeK) Oonagh Young Gallery Dublin 2018

Installation view from After Vermeer, National Gallery of Ireland, September 2017.

Digital Drawing The Lacemaker from After Vermeer The National Gallery of Ireland 2017

Crack drawing Woman with a Lute, Ink on Paper, 2017, National Gallery of Ireland installation view

From a speculative reconstruction of underlying figure- macro x-ray- Rembrandt Old Man in Military Costume
Pencil on Paper 2016.
Winner of the AXA Drawing Prize 2016, Royal Hibernian Academy, Dublin.

After an Act group show installation shot. Photo Simon Mills. Artists Susan Conolly, Deb Covell, Jo McGonigal, Brian Fay, 2018.

Pencil on Paper 50 x 45 cm

Pencil on Paper 53 x 46.6 cm

Installation view X(Ir) show at Nag Gallery Dublin

Work in progress, studio shot, pencil on paper, 2016

3 Stages of restoration Vermeer Pencil on paper, 29.7 cm x 21 cm unframed, 2011

Detail of an Autoradiograph from Portrait of a Man attributed to Rembrandt workshop undated.
Pencil on paper 21 cm x 29.7 cm, 2014

Autoradiograph Rembrandt self portrait
Pencil on paper, 21 cm x 29.7 cm, 2014

Crack drawing Vermeer Woman in Blue Reading a Letter.
Digital drawing, 49.5 cm (h) x 41 cm (w), 2015

Completed stage of Vermeer Pentimento figure View of Delft c. 1660-61, three
erasures, Pencil on paper, W) 33 cm H) 25 cm, 2013-14.

Installation view X(Ir) show at Nag Gallery Dublin

Installation view X(Ir) show at Nag Gallery Dublin